Arrival: Part IIIa (05.12.87)
By the time I was twenty, the Bay Area night club scene had already been my outlet for expression for over two years. I had become a silent icon in a patchwork of diversity; an Aquanet subscriber in a plight to maintain social status of a crowd that vehemently needed to define themselves as outcasts. I think the fact that we all looked basically the same was written off as mere coincidence.
Tuesday and Wednesday nights I could be found in Palo Alto at the Vortex. I would move to the groove from open 'til close, grab a soda at the Jack in the Box on the way out and be home by a little after 2am. Wednesday May 13th was the first of two after mornings that would etch permanently in my repertoire of yarn.
Homeward bound, I entered 101 at Page Mill Road heading south; a lifeless stretch at that hour inhabited only by myself and a mix tape. The music was a steady thump of homoerotic undercurrents breeding a final b-side exception; Patches, by Dickie Lee. Volume low, 'Patches' played as the freeway began to light my way.
There is a couple mile section of the freeway, not too long after entering it, that lights do not illuminate. The final verse of the song faded into darkness and I remember wondering if I would ever experience the depth that Dickie Lee sings of 'Patches'.
'Patches' is a young girl on the shanty side of town. Dickie Lee sings of his love for her and his parent's disapproval, for they, do not live on the same side of town. As he looks out the window, he imagines that his inability to visit has gone unknown, leaving the belief that his love remains no more. An overheard conversation between his father and a neighbor confirms his belief; ‘Patches’ has been found afloat in the river. The songs last line serves as a reminder of youth and its unforgiving tormentors... 'Patches, I'm coming to you...'
The song began to play again and the texture of contented grief, supplemented by a teary smirk, filled the emptiness that I imagined to be mine. I felt like singing and yet, it’s not always the type of song that needs accompaniment. Mentally adrift, the brisk cool night set into my heater-less car.
My mental wondering came to a sudden halt. 'Patches' had only been recorded once. I stopped the tape, rewound it and hit play. I heard the final haunting verse, followed by silence, and again the song started anew.
I stopped the tape again and rewound. This time I rewound longer. I got lucky, the 'Trans X' song 'Living on Video' was just ending flollowed by a moment of silence, then the quite guitar intro of 'Patches'.
I hit fast foreword, then stop; middle of the song. I hit fast foreword, then stop; almost the end. Fast foreword – stop; the end. Silence. 'Patches' starts again. I hit eject and turned off the radio. I drove in silence trying desperately to apply logic to this absolutely illogical moment.
There was not even enough room at the end of the tape to hold another song. I thought to myself, "O.K. this is a little screwed up here". In actuality, the wording was probably a little less tasteful but I would prefer to remember myself as a graduate of extreme moral fiber. Ah, who the hell am I kidding...?
Hearing a song that is not there is a little freaky, but hey, this was only part one.
To be continued...
Tuesday and Wednesday nights I could be found in Palo Alto at the Vortex. I would move to the groove from open 'til close, grab a soda at the Jack in the Box on the way out and be home by a little after 2am. Wednesday May 13th was the first of two after mornings that would etch permanently in my repertoire of yarn.
Homeward bound, I entered 101 at Page Mill Road heading south; a lifeless stretch at that hour inhabited only by myself and a mix tape. The music was a steady thump of homoerotic undercurrents breeding a final b-side exception; Patches, by Dickie Lee. Volume low, 'Patches' played as the freeway began to light my way.
There is a couple mile section of the freeway, not too long after entering it, that lights do not illuminate. The final verse of the song faded into darkness and I remember wondering if I would ever experience the depth that Dickie Lee sings of 'Patches'.
'Patches' is a young girl on the shanty side of town. Dickie Lee sings of his love for her and his parent's disapproval, for they, do not live on the same side of town. As he looks out the window, he imagines that his inability to visit has gone unknown, leaving the belief that his love remains no more. An overheard conversation between his father and a neighbor confirms his belief; ‘Patches’ has been found afloat in the river. The songs last line serves as a reminder of youth and its unforgiving tormentors... 'Patches, I'm coming to you...'
The song began to play again and the texture of contented grief, supplemented by a teary smirk, filled the emptiness that I imagined to be mine. I felt like singing and yet, it’s not always the type of song that needs accompaniment. Mentally adrift, the brisk cool night set into my heater-less car.
My mental wondering came to a sudden halt. 'Patches' had only been recorded once. I stopped the tape, rewound it and hit play. I heard the final haunting verse, followed by silence, and again the song started anew.
I stopped the tape again and rewound. This time I rewound longer. I got lucky, the 'Trans X' song 'Living on Video' was just ending flollowed by a moment of silence, then the quite guitar intro of 'Patches'.
I hit fast foreword, then stop; middle of the song. I hit fast foreword, then stop; almost the end. Fast foreword – stop; the end. Silence. 'Patches' starts again. I hit eject and turned off the radio. I drove in silence trying desperately to apply logic to this absolutely illogical moment.
There was not even enough room at the end of the tape to hold another song. I thought to myself, "O.K. this is a little screwed up here". In actuality, the wording was probably a little less tasteful but I would prefer to remember myself as a graduate of extreme moral fiber. Ah, who the hell am I kidding...?
Hearing a song that is not there is a little freaky, but hey, this was only part one.
To be continued...


